The date changes are what stand out most noticeably in the 1990 version of The Stand. The novel is so steeped in 1970s paranoia that switching the setting to 1990 just makes things odd. Even 1980 was pushing things a bit. In truth, this novel seems set a few days after Jonestown, with Watergate, stagflation, the Kent State shootings, the Charles Manson trial, and the Vietnam War all fairly fresh memories as well. Actually, the novel was published before the Jonestown tragedy, but it captures the 1970s horror zeitgeist so well it seems prophetic. But 1990?
No, that doesn't work. This novel doesn't feel set in Ronald Reagan's America and certainly not George Bush's. Not that those weren't horrific times as well, but the horror was of a different type, more like that of a Yuppie vampire sucking the blood out of a lazy steelworker. The Stand's horror is the shock of 1960s peace and love hippies giving up on flower power and going underground and robbing banks and setting bombs. It's Patty Hearstville all the way, no matter how many Teenage Mutant Ninja Turtles get sprinkled in. Randall Flagg would have been working on Wall Street in the 1980s, not wandering the backroads of America.
I wish King had set the novel in the 1970s, but I can live with 1980.
Personally, I just consider all the date changes typos. Tsk, tsk, such sloppy copyediting. It mars an otherwise fine novel.
The Match! #116 [Summer 2017] - *68 pages, 9.5" x 7", THE MATCH! Post Office Box 3012, Tuscon Arizona 85702, USA. Subscription: Free.* Quote from Page 2: *"Published since 1969, this jo...
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